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HumanMarkup[[jbocre: 1|1]] is a project to use XML to "frame and embed contextual human characteristics including physical, cultural, social, kinesic, psychological, and intentional features within conveyed information". Thus it covers some of the same territory already trod by lojban.
Jbozgi Music


Its interesting to see how another group approaches the same problem. They may also point out options that lojban has overlooked.
jbozgi: a lojbanistani style of music in which the words generate a specific tune. Unlike in [[Solresol|Solresol]], jbozgi tunes do not uniquely identify their text.


Stripped of the technology, their efforts so far have yielded.
------------------------------------------------------------------------


====  Emotions ====
From the Lojban mailing list:


'''emotion attitude flexibility'''
The idea of inventing Lojbanic culture (such as with new forms of poetry) helped prompt this idea: what if the sounds of Lojbanic words were expressed as music in a specific way?


amusement  acceptance decided
There are 12 notes in the chromatic scale, but only 10 of them are used in either the major or minor scale of any given key. There are also 10 vowels/dipthongs in Lojban: a e i o u y ai ei oi au. So what if each vowel represents a note?


anger agreement sure
Of those vowels, the most prominent are "a e i o u". Similarly, there are traditionally five prominent notes of a scale - the pentatonic scale: "Do Re Mi So La". Music from many different cultures is written on the pentatonic scale, including traditional Japanese music and American folk music.


appreciation alertness resolute
The vowels "a i u" are the most common, and the fundamental notes of the scale are those of the major triad, "Do Mi So".


caution approval irreversible
Now, the do-re-mi notation is a pain, so I'll set Do to be C. So we're in the key of C. The major triad is C E G.


closeness attention yielding
Assign the vowels like this:


completion belief unrelenting
C E G


courage competence firm
u a i


discovery constraint undecided
and then the rest of the pentatonic scale can be filled in with e and o:


familiarity desire unsure
C D E G A


fear effort determined
u e a i o


gain hope reversible
Let the dipthongs ending in 'i' be a half-step above their initial vowel, and put 'au' above 'i' just because:


guilt intent unyielding
C D Eb E F  G Ab A Bb


happiness interest relenting
u e ei a ai i au o oi


love obligation soft
All that's left is 'y', which can get the rather weak note B.


pain permission ambivalent
C D Eb E F  G Ab A Bb B


pity request
u e ei a ai i au o oi y


pride suggestion
So now every syllable of Lojban text can be sung as a note. (Put syllabic consonants on the same note as the last syllable, and sweep between notes for the odd dipthongs like .ui.) Various Lojban phrases end up sounding very pleasant this way. But that's not all.


relaxation adore
Now Lojban poetry can automatically have a tune. Also, it's possible to write poetry in such a way that it matches a tune.


respect fondness
Here's some Lojban to the tune of "Simple Gifts" / "Lord of the Dance". (The lyrics don't make all that much sense and I had to insert two notes which weren't there in the tune, but hey, it's a first attempt.)


surprise blame
(lowercase = lower octave)


togetherness disagreement
.i mi muvdu je dansu janai rimni bai ma | g g C C D E C E F G G F E


wonder exhaustion
[[.i|.i]] le nungleki .e le zenba xedydji    | (g) D C D g D C D E D b g


weariness disapproval
.i ti kulnu je .a'u.uacai rilti .ai ca  | g g C C D E C E F G G F E


patience patience
lenu le selsanga [[le|le]] selsku cu du      | D C D D E E (D) D C C C


envy avoidance
-- Rob Speer


rashness disbelief
------------------------------------------------------------------------


distance incompetence
We also had a post in which Rob gave us the tune for the Lojban version of Lobster Quadrille:


incompleteness resistance
(asterisks are placed before the note that has the accent)


cowardice reluctance
e'o sutra doi cakcurnu i ko ti'a zgana ua pa


confusion repose
D A *C  E Bb  E  *C C G  A *G  E  E E *E  E


mystery despair
xajyfi'e noi jbitrixe gi'e me mi rebla stapa


security refusal
E B*G D  Bb  G *G  D G D *D  G  D  E  *E E


loss repulsion
i ui a'a ro le jukni e le respa ca se ganse


innocence freedom
G CG*E E  A  D *C  G D  D *D  E  E  D *E  D


unhappiness prohibition
gi'e denpa mi le canre i pei do ba kansa dansu


hatred warning
G D *D  E  G  D *E  D G  Eb *A  E  E  E *E  C


pleasure worship
i aipei naipei aipei naipei aipei do ba dansu


cruelty liking
G *F Eb  F  Eb *F Eb  F  Eb *F Eb  A  E *E  C


shame
i aipei naipei aipei naipei naipei do ba dansu


stress
G *F Eb  F  Eb *F Eb  F  Eb *F Eb  A  E *E  C


disrespect
------------------------------------------------------------------------


commonplace
.i mi mo'u nicygau le ciska morna mi'e [[rab.spir|rab.spir]]
 
reverence
 
relief
 
cheerfulness
 
rejoicing
 
amusement
 
wit
 
humourless
 
sorrow
 
regret
 
aggravation
 
dejection
 
lamentation
 
weariness
 
dullness
 
====  Gestures ====
 
'''facial hand torso feet'''
 
smile handshake bow run
 
kiss wave hello march jump
 
smirk wave goodbye meditation kick
 
sneer fist bend chase
 
cheer salute kowtow stalk
 
knit the brows thumbs-up stand dash
 
glance accost curtsy cross legs
 
whisper wag dance
 
stage whisper  hail hunch
 
frown middle finger genuflect
 
kiss love sign sit
 
wink stab pose
 
raspberry fold hands
 
roll eyes thumbs up
 
stare ok
 
hiss thumbs down
 
turn up nose flourish
 
glare salutation
 
shout greet
 
grin welcome
 
sob peace
 
howl
 
hoot
 
babble
 
shout
 
nod
 
====  Intention ====
 
threat
 
sarcasm
 
joke
 
earnestness
 
request
 
truth
 
overestimation
 
assent
 
concealment
 
exaggeration
 
ridicule
 
courtesy
 
gratitude
 
forgiveness
 
envy
 
irascibility
 
humour
 
veiled threat
 
seriousness
 
facetiousness
 
warning
 
beg
 
lie
 
underestimation
 
dissent
 
disclosure
 
deception
 
ingratitude
 
revenge
 
jealousy
 
resentment
 
====  Political Type ====
 
'''ideology affiliation role ideals activity agenda resolve'''
 
conservative Republican president democratic debate Status quo resolute
 
liberal Democrat vice-president libertarian propaganda radical fanatical
 
moderate Independent senator freedom grassroots conflict passionate
 
Reform congressman repression populism resolution apathetic
 
Green governor republic media message supportive
 
Communist mayor celebrity endorsement pliant
 
Socialist councilman
 
----
 
(I find the Political mapping ludicrous in the extreme. But perhaps this cathedral needs a few ''gargoyles''... --''la maikl.'')
 
I agree. I also find that the jobs need things like ''cizen'' at the very least! - mi'e. [[jbocre: .kreig.daniyl.|.kreig.daniyl.]], who is one
 
''A language project from a bunch of techies and no slot for "libertarian" ideology as distinct from liberal and conservative? How believable is that? Any real gang of geeks would have "100 words for Libertarian" (anarcho-capitalist, minarchist, Objectivist (subtypes Neo Tech, Peikoff, and Kelley), etc, etc) --xod''
 
On the other hand, it would be interesting to come up with Lojban equivalents for the Gestures listed...

Latest revision as of 16:19, 23 March 2014

Jbozgi Music

jbozgi: a lojbanistani style of music in which the words generate a specific tune. Unlike in Solresol, jbozgi tunes do not uniquely identify their text.


From the Lojban mailing list:

The idea of inventing Lojbanic culture (such as with new forms of poetry) helped prompt this idea: what if the sounds of Lojbanic words were expressed as music in a specific way?

There are 12 notes in the chromatic scale, but only 10 of them are used in either the major or minor scale of any given key. There are also 10 vowels/dipthongs in Lojban: a e i o u y ai ei oi au. So what if each vowel represents a note?

Of those vowels, the most prominent are "a e i o u". Similarly, there are traditionally five prominent notes of a scale - the pentatonic scale: "Do Re Mi So La". Music from many different cultures is written on the pentatonic scale, including traditional Japanese music and American folk music.

The vowels "a i u" are the most common, and the fundamental notes of the scale are those of the major triad, "Do Mi So".

Now, the do-re-mi notation is a pain, so I'll set Do to be C. So we're in the key of C. The major triad is C E G.

Assign the vowels like this:

C E G

u a i

and then the rest of the pentatonic scale can be filled in with e and o:

C D E G A

u e a i o

Let the dipthongs ending in 'i' be a half-step above their initial vowel, and put 'au' above 'i' just because:

C D Eb E F G Ab A Bb

u e ei a ai i au o oi

All that's left is 'y', which can get the rather weak note B.

C D Eb E F G Ab A Bb B

u e ei a ai i au o oi y

So now every syllable of Lojban text can be sung as a note. (Put syllabic consonants on the same note as the last syllable, and sweep between notes for the odd dipthongs like .ui.) Various Lojban phrases end up sounding very pleasant this way. But that's not all.

Now Lojban poetry can automatically have a tune. Also, it's possible to write poetry in such a way that it matches a tune.

Here's some Lojban to the tune of "Simple Gifts" / "Lord of the Dance". (The lyrics don't make all that much sense and I had to insert two notes which weren't there in the tune, but hey, it's a first attempt.)

(lowercase = lower octave)

.i mi muvdu je dansu janai rimni bai ma | g g C C D E C E F G G F E

.i le nungleki .e le zenba xedydji | (g) D C D g D C D E D b g

.i ti kulnu je .a'u.uacai rilti .ai ca | g g C C D E C E F G G F E

lenu le selsanga le selsku cu du | D C D D E E (D) D C C C

-- Rob Speer


We also had a post in which Rob gave us the tune for the Lojban version of Lobster Quadrille:

(asterisks are placed before the note that has the accent)

e'o sutra doi cakcurnu i ko ti'a zgana ua pa

D A *C E Bb E *C C G A *G E E E *E E

xajyfi'e noi jbitrixe gi'e me mi rebla stapa

E B*G D Bb G *G D G D *D G D E *E E

i ui a'a ro le jukni e le respa ca se ganse

G CG*E E A D *C G D D *D E E D *E D

gi'e denpa mi le canre i pei do ba kansa dansu

G D *D E G D *E D G Eb *A E E E *E C

i aipei naipei aipei naipei aipei do ba dansu

G *F Eb F Eb *F Eb F Eb *F Eb A E *E C

i aipei naipei aipei naipei naipei do ba dansu

G *F Eb F Eb *F Eb F Eb *F Eb A E *E C


.i mi mo'u nicygau le ciska morna mi'e rab.spir